Кой излиза с Уорън Бейти?

Хенри Уорън Бейти, известен като Уорън Бейти (на английски: Henry Warren Beatty, английско произношение: /ˈbeɪti/, често срещан и като Бийти) е американски актьор, продуцент, сценарист и режисьор. Дълго време има репутация на плейбой, но тя изглежда изчезва след сватбата му през 1992 г. Съпруга му е актрисата Анет Бенинг и заедно имат 4 деца: Кейтлин (1992), Бенджамин (1994), Изабел (1996) и Ела Корин (2000). Уорън Бейти е по-малък брат на актрисата и писателката Шърли Маклейн.

През 1979 г. е удостоен с наградата Златен глобус за най-добра мъжка роля за филма „Раят може да почака“. Две години по-късно печели втори Златен глобус и Оскар за най-добър режисьор с филма „Червените“. Получава три награди за цялостно творчество: Оскар през 2000 г., Златен глобус през 2007 г. и Наградата на Американския филмов институт през 2008 г.

Лесли Карон (на френски: Leslie Caron) е френско-американска театрална и филмова актриса и танцьорка, носителка на „Златен глобус“, „Еми“ и две награди на БАФТА, номинирана е за две награди „Оскар“. Известни филми с нейно участие са „Един американец в Париж“, „Джиджи“, „Мъжът, който живееше в Риц“, „Шоколад“, „Развод по френски“, сериалът „Закон и ред: Ню Йорк“ и други. От 2009 г. има звезда на Холивудската алея на славата.

Maya Mikhailovna Plisetskaya (Russian: Майя Михайловна Плисецкая; 20 November 1925 – 2 May 2015) was a Soviet and Russian ballet dancer, choreographer, ballet director, and actress. In post-Soviet times, she held both Lithuanian and Spanish citizenship. She danced during the Soviet era at the Bolshoi Theatre under the directorships of Leonid Lavrovsky, then of Yury Grigorovich; later she moved into direct confrontation with him. In 1960, when famed Russian ballerina Galina Ulanova retired, Plisetskaya became prima ballerina assoluta of the company.

Her early years were marked by political repression and loss. Her father, Mikhail Plisetski, a Soviet official, was arrested in 1937 and executed in 1938, during the Great Purge. Her mother, theater and silent film actress Rachel Messerer, was arrested in 1938 and imprisoned for a few years, then held in a concentration camp together with her infant son, Azari. The older children were faced with the threat of being put in an orphanage but were cared for by maternal relatives. Maya was adopted by their aunt Sulamith Messerer, and Alexander was taken into the family of their uncle Asaf Messerer; both Alexander and Azary eventually became solo dancers of the Bolshoi.

Plisetskaya studied ballet at The Bolshoi Ballet School from age nine, and she first performed at the Bolshoi Theatre when she was eleven. She studied ballet under the direction of Elizaveta Gerdt and also her aunt, Sulamith Messerer. Graduating in 1943 at the age of eighteen, she joined the Bolshoi Ballet company, quickly rising to become their leading soloist. In 1959, during the Thaw Time, she started to tour outside the country with the Bolshoi, then on her own. Her fame as a national ballerina was used to project the Soviet Union's achievements during the Cold War. Premier Nikita Khrushchev considered her to be "not only the best ballerina in the Soviet Union, but the best in the world".

As an artist, Plisetskaya had an inexhaustible interest in new roles and dance styles, and she liked to experiment on stage. As a member of the Bolshoi until 1990, she had international exposure and her skills as a dancer changed the world of ballet. She set a higher standard for ballerinas, both in terms of technical brilliance and dramatic presence. As a soloist, Plisetskaya created a number of leading roles, including Juliet in Lavrovsky's Romeo and Juliet; Phrygia in Yakobson's Spartacus (1958); in Grigorovich's ballets : Mistress of the Copper Mountain in The Stone Flower (1959); Aurora in The Sleeping Beauty (1963); Mahmene Banu in The Legend of Love (1965); Alberto Alonso's Carmen Suite (1967), choreographed especially for her; and Maurice Béjart's Isadora (1976). Among her most acclaimed roles were Kitri in Don Quixote, Odette-Odile in Swan Lake, and The Dying Swan, first danced as a pre-graduate student under the guidance of Sulamith Messerer. A fellow dancer said that her dramatic portrayal of Carmen, reportedly her favorite role, "helped confirm her as a legend, and the ballet soon took its place as a landmark in the Bolshoi repertoire". Her husband, composer Rodion Shchedrin, wrote the scores to a number of her ballets.

Having become "an international superstar" and a continuous "box office hit throughout the world", Plisetskaya was treated by the Soviet Union as a favored cultural emissary. Although she toured extensively during the same years that other prominent dancers defected, including Rudolf Nureyev, Natalia Makarova, Alexander Godunov and Mikhail Baryshnikov, Plisetskaya always refused to defect. In 1991, she published her autobiography, I, Maya Plisetskaya.

Constance Money (born Susan Jensen; November 30, 1956) is an American former adult film actress. She played the lead role of Misty Beethoven in the 1976 adult classic The Opening of Misty Beethoven.

Даян Кийтън (на английски: Diane Keaton) е американска филмова актриса, режисьор и продуцент.

Изабѐл Ясмѝн Аджанѝ (на френски: Isabelle Yasmine Adjani) е френска кино и театрална актриса. Носителка на 5 награди Сезар (ненадминат рекорд) и двукратно номинирана за Оскар, известна с пристрастието и емпатията към героините си, често белязани от трагична съдба. Сред най-известните филми с участието на Изабел Аджани фигурират „Камий Клодел“, „Историята на Адел Ю.“, „Квартет“, „Кралица Марго“, „Убийствено лято“ и „Обладаване“.

Madonna Louise Ciccone ( chih-KOH-nee; born August 16, 1958) is an American singer, songwriter, record producer, and actress. Dubbed the "Queen of Pop", she is regarded as one of the most significant cultural figures of both the 20th and 21st centuries. Madonna is known for her continual reinvention and versatility in music production, songwriting, and visual presentation, with works that incorporate social, political, sexual, and religious themes and have generated both controversy and critical acclaim. She is often deemed one of the greatest popular musicians in history.

Madonna moved to New York City in 1978 to pursue a career in dance. After performing as a drummer, guitarist, and vocalist in the rock bands Breakfast Club and Emmy, she rose to solo stardom with her debut studio album, Madonna (1983). She has since earned eighteen multi-platinum albums, including Like a Virgin (1984), True Blue (1986), and The Immaculate Collection (1990)—some of the best-selling albums of all time—and Confessions on a Dance Floor (2005), her 21st-century bestseller. Like a Prayer (1989), Ray of Light (1998), and Music (2000) were ranked among Rolling Stone's greatest albums of all time. Madonna's top-charting singles include "Like a Virgin", "Material Girl", "La Isla Bonita", "Like a Prayer", "Vogue", "Take a Bow", "Frozen", "Music", "Hung Up", and "4 Minutes".

Madonna has starred in films such as Desperately Seeking Susan (1985), Dick Tracy (1990), A League of Their Own (1992), and Evita (1996), with the lattermost winning her a Golden Globe Award for Best Actress. Many of her other films were not well-received. Her business endeavors encompass the entertainment company Maverick (1992–2009), which included Maverick Records—one of the most successful artist-run labels. She has also pursued fashion brands, written works, health clubs, and filmmaking. Madonna contributes to various charities, having founded the Ray of Light Foundation in 1998 and Raising Malawi in 2006, and advocates for gender equality and LGBT rights.

Madonna is the best-selling female music artist of all time and the first female performer to accumulate US$1 billion from her concerts. She is the most successful solo artist on the US Billboard Hot 100 and has 44 number-one singles across major global music markets. Her accolades include seven Grammy Awards, two Golden Globe Awards, 20 MTV Video Music Awards, and an induction into the Rock and Roll Hall of Fame in her first year of eligibility. Madonna was the world's highest-paid female musician for a record eleven years across four decades (1980s–2010s). She has become the subject of various scholarly, literary, and artistic works, as well as a mini-academic sub-discipline called Madonna studies.